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Дойде времето, в което трябва да избирам между гадното и гадното. А на мене просто ми се иска да снимам глухарчета и хората да не ми дишат въздуха.

"They burned the bridge, then ask why I don’t visit."
Ugo Eze    (via stay-goldxpenev)

porn is the new black

псевдо любов 

A message from obichamdapiqkafeskafe
смотла

смоТАНЯчка съм аз :*

виждам бъдещето

адското

патладжан или как нося душата на зайче, закачена на врата ми

bang bang

камерата си е казала, че една цигара е малко

това

joshhutchercat:

my heart says yes but my mom says no

"I think I’m the Stoned Soldier at this point." - Sebastian Stan

myserendipities:

Alan Fletcher: Fifty years of graphic work (and play)

Alan Fletcher is one of the most influential figures in post-war British graphic design. The fusion of the cerebral European tradition with North America’s emerging pop culture in the formulation of his distinct approach made him a pioneer of independent graphic design in Britain during the late 1950s and 1960s. As a founding partner of Pentagram in the 1970s, Fletcher helped to establish a model of combining commercial partnership with creative independence. He also developed some of the most memorable graphic schemes of the era, notably the identities of Reuters and the Victoria & Albert Museum, and made his mark on book design as creative director of Phaidon. (more)